Geisel Library

The Geisel Library is the main library building on the University of California, San Diego campus and contains four of the five libraries located on campus. It is home to the Arts Library (newly merged in July 2008 from the Art & Architecture and Music, Film & Video Libraries) (ARTS), the Mandeville Special Collections Library (SPEC), the Science & Engineering Library (S&E), and the Social Sciences & Humanities Library (SSHL). The Biomedical Library is the other library building on campus. There are 3 off-site locations: The Scripps Archives and Library Annex (available by appointment), the Annex (collections available by request), and the UC Southern Regional Library Facility (collections available by request).

The building is named in honor of Audrey and Theodor Seuss Geisel (better known as Dr. Seuss) for the generous contributions they have made to the library and their devotion to improving literacy. The Geisels were long-time residents of La Jolla, where UC San Diego is located.

The building is featured in the UCSD logo and is the most recognizable building on campus. It is located in the center of the campus with Library Walk to its south, Thurgood Marshall College to its West and Earl Warren College to its East.

The library first opened in 1970. It was simply called the Central Library until a renovation was completed in 1993, when it was rededicated as the University Library Building. It was renamed "Geisel Library" in 1995.

The distinctive original building was designed in the late 1960s by William Pereira to sit at the head of a canyon. William Pereira & Associates prepared a detailed report in 1969. Considering the location, Pereira originally conceived of a spherical building resting atop a pedestal, with the structural elements on the inside. After several drafts of this ball-shaped design, the structural elements were deemed as being too space-consuming, and they were moved to the outside of the structure, essentially resulting in the current "lantern" design. Pereira envisioned that future additions to the original building would form terraced levels around the tower base descending into the canyon. The tower is a prime example of brutalist architecture. It rises 8 stories to a height of 110 ft (33.5 m). The four upper stories of the tower itself house the SSHL and East Asia collections.

A photo of the building taken by Julius Shulman was used as the cover image for James Steele's chronicle of Pereira's career, called simply William Pereira.

The Library Addition, designed by Gunnar Birkerts in the early 1990s, was "deliberately designed to be subordinated to the strong, geometrical form of the existing library." Within its two subterranean levels are the other library sections as well as study spaces and computer labs.

Source: Wikipedia.org

Frank W. Thomas House

Frank W. Thomas House, 210 Forest Avenue, Oak Park, Illinois, USA

The Frank W. Thomas House was commissioned by James C. Rogers for his daughter and her husband, Frank Wright Thomas. In some ways, it resembles the Heurtley House: both homes have leaded glass windows, an arched entryway, and a low, long profile. The Thomas house is widely considered Wright's first Prairie Style home in Oak Park. It is also his first all stuccohome in Oak Park. Using stucco instead of wood meant that Wright could design clear, geometric forms.

The main rooms of the Thomas House are raised a full story above a high basement. The L-shaped floor plan of the house gives it an open view to the north and west, while obscuring a brick wall located on the south side. A "false door" is located just above the arched entryway.

Source: architecture.about.com

Drawing of the day - 02

Here's another one for your viewing pleasure: http://www.youtube.com/watch?v=zXt3slWL-KU

Hope you like it!

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Drawing of the day 01

Hi again!
I decided to upload my drawing videos on my new channel.

So here it is:
http://www.youtube.com/watch?v=RpT7VEAQf4A

Hope you like it :)

House Holman

House Holman by Durbach Block Architects

Durbach Block Architects designed the award winning House Holman in 2004.

The single-family residence is sited on the edge of a 230-foot high cliff flying over the ocean in the town of Dover Heights, west of the city of Sydney in Australia.

The House Holman offers a complex series of spaces to be fluid, enrolled in a perimeter formed by a series of curves and contracurvas that stretch in response to the landscape and the sun.

Living and dining areas cantilever out over the ocean, allowing dramatic views up and down the coast.

The lower floor forms a base that is built from rough stone walls like an extension of the cliff below.

These walls continue along the cliff edge to form a series of eccentric terraced gardens and a vase-shaped rock pool.

Photos by: Neil Durbach, Brett Boardman, Chris Cole, Anthony Browell

Kettle Hole House

Kettle Hole House by Robert Young

Architects: Robert Young
Location: East Hampton, New York, USA
Architect In Charge: Robert Young
Design Team: Mara Indra, Marlene Toerper, Shea Murdock
Project Architect: Kiyomi Troemner
Year: 2008
Photographs: Frank Oudeman

This project developed organically to respond to our client’s seven acre site, which was sheltered by white pines, offered unobstructed views of the water, and housed a beautiful kettle pond. The property contained an existing house, c 1982, which was in need of a major renovation. Because of serious rot and the low quality of the initial construction, it was not clear that a restoration would cost less than a new house. Our instinct is always to save and reuse things rather than throw them away, so we were keen to find ways to keep the house economically. Surveys of the property indicated that the house was closer to the kettle pond than current town setbacks would allow; if we were to build a new house rather than renovate, it would have to be pushed back closer to the property line, compromising the privacy and water views that made this parcel so appealing.
While the existing house was full of quirky layout moments, such as dark narrow halls and high windows facing the view, the basic parti of the house worked quite well — living spaces bookended by the master suite and guest bedrooms. By filling in a windowless courtyard and carport, we were able to enlarge the kitchen and dining areas, and add a den and a screened porch without extending the actual footprint of the house. This not only allowed for extra space, but also dramatically improved the awkward flow between the existing spaces. Without moving load-bearing walls, we merged the kitchen, living and dining areas into an open, flowing plan.
We transformed the appearance of the house with an economy of means using new siding and windows with accenting cement panels. The windowless ‘silo’ stairwell was replaced with a rectangular stair tower with a simple but delicate stair of blackened steel. Wide expanses of glass and exterior materials that cross over into the interiors, such as the cedar siding and cement panels, blur the line between inside and out. The interior palette of natural materials, colors, and fabrics is juxtaposed with occasional strong contrasting elements, complementing the surrounding woodlands.

Source: archdaily.com

MDT house

 MDT house by Jacobsen Arquitetura.
(Source: knstrct.com)

São Paulo’s Fazenda Boa Vista development is a massive 1,800 acre residential and hospitality complex rolling with perfectly trimmed hills, deep blue lakes, and untouched landscapes. The property features an array of amenities such a clubhouses, an equestrian center, golf course, tennis courts, five star hotel, and a spa. Also within the complex is a collective of newly built residences designed by Brazil’s architectural headliners, Isay Weinfeld, Arthur Casas, and Paulo Jacobsen and Bernardo Jacobsen of Jacobsen Arquitetura.

Jacobsen’s new MDT house is in the well designed company of Fazenda Boa Vista’s newly built residences. The home is sectioned into three rectangular volumes that are juxtaposed together to create three full patios, a gourmet kitchen, home theater, large entertaining areas, a kids room, library, and a swimming pool.
The outside of the MDT home is outfitted with a stone wall covered in vertical wood panels ranging in hues of brown, orange, and yellow. The stone and wood wall constitutes most of the exterior walls, except for the areas that overlook the pool and courtyard. Here, the bedroom suites fit straight into one of the rectangular volume, each bedroom has a glass wall so guests have a view of the swimming pool through the wood panels.
One feature not to be missed is the large wood covered patio that overlooks the pool. On the patio, modern furniture pieces create unique conversation areas, and the gourmet kitchen is only steps away to feed the need for serving and entertaining.
The architects took a topographical approach to develop to sculpt the land of the MDT House. Variations in floor and ceiling create different ceiling heights and different relationships with the garden,
sometimes enabling direct access to the gardens and pool.

Source: knstrct.com

Museum for Architectural Drawing

Museum for Architectural Drawing by Speech

Architectural sketches and motifs are etched across the concrete walls of the Museum for Architectural Drawing in Berlin by Russian architecture collective SPEECH Tchoban & Kuznetsov.

Architects Sergei Tchoban and Sergey Kuznetsov of SPEECH Tchoban & Kuznetsov designed the building to house the collections of the Tchoban Foundation, which the architect founded in 2009 as an archive of architectural drawings from the twentieth and twenty-first centuries.

Located on the site of a former brewery, the five-storey museum will be the foundation's first address and comprises a stack of overlapping concrete volumes with a glass penthouse positioned on top.

Architectural reliefs cover all three of the yellowish-grey concrete facades and form repetitive patterns. The surfaces are also broken up into groups of gently angled planes, intended to mimic overlapping sheets of paper.

"This artistic touch is supposed to emphasise the function and contents of the exposition in the museum's architectural look," explain the architects.

The ground floor of the building accommodates an entrance hall, shop and library. The collections will be housed on the three middle floors and will only be accessible by appointment, while the the glass penthouse and roof terrace will function as an events space.

The Museum for Architectural Drawing is set to open in June and will present both a permanent drawing collection and loans from international collections.

Architects Sergei Tchoban and Sergey Kuznetsov have worked together on various projects as SPEECH Tchoban & Kuznetsov. Their past collaborations include curating the Russian Pavilion at the 2012 Venice Architecture Biennale.

Source: dezeen.com

Santa Ana and San Joaquin Church

Santa Ana and San Joaquín Church by RGRM Arquitectos

Architects: RGRM Arquitectos
Location: Roquetas, Almería, Spain
Project Architects: Juan José Ruiz Martín, Dolores Victoria Ruiz Garrido
Area: 1,888 sqm
Photographs: Jesús Granada

Collaborators: Jesús Granada, Andrés Salmerón
Technical Architect: José Manuel Lobo Rull
Budget: 1.200.000 euros
Contractor: Ferrovial, Agroman, S.A.
Client: Obispado De Almería
Cost: 635.29 euros/m2
Liturgical Furnishings: Silestone. COSENTINO
Natural Stone: TINO

People and place, place and people and light and sea…

The commission was to substitute the old church of El Puerto, a modest building that had welcomed the parishioners of this area of the city for 30 years, and which the people of the neighborhood understood as their parish. Understanding the link between parishioners and the sea and to translate it into the project has been a starting point for the project, to create an understanding between people and the architecture.

Rooting architecture in the places it belongs, this is an approach we defend. The identity of the place giving shape to the architecture.

The sea of the sailors that we have known personally and who year after year take the Virgin and Saint Anne in procession, the light from Almeria, white, everything generates a palpable whole in our work, to create links and complicities with the new building.

The program is simple: a meeting and celebration space for at least 400 people, classrooms for catechesis, meeting rooms for the parish and a home for the pastor. The plan is laid out from a continuous wall that folds on itself to form the central nave. It houses the sacristy and rectory, and becomes the bell tower. The chapels are grouped within a stone volume, an intimate area, wrapped by the outer wall. The nave, fractured by a crack, is flooded with light. It is this axis that “pulls” the altar to the streets in a gesture of calling. When the door is opened, the altar is seen from the square, powered by the light axis.

Source: archdaily.com

Hawthorn Residence

Hawthorn Residence by Canny

The initial client brief was to create a home that would allow independent living zones for the needs of the growing family. With three teenage boys the home allows ample breakout spaces for the children to be active and yet still enjoy the togetherness of combined family areas. The clients required a new home with a traditional façade to the compliment the streetscape, yet a more contemporary feel as one moved through to the rear of the home. The front rooms took on a traditional feel, whilst the rear presented more modern attributes.

The rear of the home showcases a distinctive curved pool house with expansive pool outlook. Dual outdoor entertaining areas with canopy skylights and recessed alfresco heaters allow for continuous enjoyment throughout all seasons. All of these elements were carefully integrated and designed with the landscape.

The highly detailed cellar is perhaps the standout feature of this residence. Complete with 2,000 unit wine storage, Vintec wine fridge, tasting bench, sink and luxe wooden joinery, the room carries an understated opulence and serves as a unique entertaining area for intimate dinner parties and tastings.

Source canny.com.au

Gran Museo Maya

Gran Museo Maya by William Ramirez Pizarro, located in Merida, Yucatan, Mexico. Photos by Tamara Uribe.

Architects: 4A Arquitectos
Location: Mérida, Yucatán, Mexico
Design Team: Ricardo Combaluzier, Enrique Duarte, William Ramírez, Josefina Rivas
Collaborators: Luis De La Rosa, Alma Villicaña, Carlos Guardián, Mariana Farfán, Julio Rosas, Aída Ordóñez, Fabián Rosas, Ricardo Combaluzier
Area: 22,600 sqm
Year: 2010
Photographs: David Cervera, Alessandra Ortíz, Rocío Rojo

The Gran Museo del Mundo Maya is a building with a contemporary expression about what the Mayans worshiped rather than the Mayans built, in this search we found a recurrent symbol, a key element in the cosmic vision of Mayan Culture: Ceiba, the sacred tree, whose roots penetrates and conforms the underworld, the trunk’s level lays down where life and daily activities take place underneath the shade of its frond which spreads its branches up to the sky and human transcendence.

With this concept of the world’s creation up from three stones and the Ceiba tree, we present the architectural design integrating the program needs and required spaces for the different functional activities, the structural design concept that gives physical bearing to the building and to the other infraestructure engineerings shared out for nurturing and supporting all the museum’s areas. Museum collections, transit cellars, research and study áreas of the great archaeological acquisition and a 260 parking spaces area is located at the “Ceiba’s roots” level.

At the “Ceiba’s trunk” level, up the perron, the main lobby, ticket offices, personal belongins kept area, 2,000 m2 of permanent exhibition rooms and 600 m2 for travelling exhibitions, public relations office, childcare center, restaurant with terrace , souvenir shop and a terrace bar. Executive and administrative offices are located inside the “Ceiba’s frond”, so are the high-definition large format cinema which includes performing arts facilites for various artistic and cultural activities as well as the multi-purpose hall. We understand sustainability as an integral part of any project and in this meaning the aspects considered are:

Environment

Located at the heart of an important urban subcenter at north of Merida, the design raises seeking for natural air and light using passive systems to achieve energy benefits and environmental comfort. The main lobby covered and shaded by “La Ceiba” which holds a hollow core, joints the different floors of the building.

Palace of Justice

Palace of Justice by Claus en Kaan Architecten, located in Amsterdam.
(Source: archinect.com)

The new premises of the Magistrates Court and the Public Prosecutor form part of the stacked program of the Western IJ-dock complex. The design conforms to the given complex spatial envelope envisaged by the master plan drawn up by Van Gameren and Mastenbroek. Not only a stringent limitation of the form and interior, but also the tight budget and other strict conditions determine the design.

Nevertheless, a unique solution has been found for this public building of 34,000 m2 that accords with the public and representative significance of a magistrates court. The main characteristic is that of a public building with a strict security policy that has separate logistical programmes for the magistrates, suspected and convicted parties, and the public. This results in a spatial palette ranging from a representative character in the public areas, via a congenial working climate for those employed by the court, to the watertight logic of the zones for suspected and convicted parties.

This complexity of the assignment is further reinforced by the considerable number of parties involved. Within all these parameters a clear organization has been chosen in which the office functions of the Public Prosecutor and the Magistrates Court are each accommodated in separate volumes and connected with one another by the walkway on the central fifth floor. The central zone of the Magistrates Court contains the lofty public hall with the courtrooms on either side of it and above it the offices, which are grouped around a large patio.

Status: Built
Location: Amsterdam, NL

Source: archinect.com

Villa 3S

Villa 3S by LOVE architecture and urbanism, Austria, 2010.

Villa 3S is located on a picturesque property on the fringes of Graz Geidorf.  One of the fundamental ideas was to incorporate the relatively large property into the living space.  Therefore, the design blurred the boundaries between house and garden creating fluid transitions and an extended exterior living space.  The relatively strict land-use plan, which stipulated a saddle roof with a designated inclination, presented a further challenge. The roof form begins by folding on the southern terrace continues up and over the building structure and thereby forms an abstract saddle roof.  This folding spatially differentiates the individual areas providing excitement.  This also creates unique views from every angle of the home.

Architects: LOVE architecture and urbanism
Location: Graz Geidorf, Austria
Construction Calculation: Hartmth Petschnigg
Building Physics: Roland Müller
Project Area: 145 sqm
Project Year: 2010
Photographs: Jasmin Schuller

The architects describe the house as, “Simple yet complex; clear but also playful; light and optimistic; small yet also big.  A place that is architecturally distinct, yet eminently livable; unconventional and unique, and still functional for everyday living.”

The interior of the house is centered around one main room for cooking, eating and living. When open, large sliding doors between the individual rooms connect a fluid, complete spatial structure. With the sliding doors closed, each room maintains its intimacy and distinctiveness and also extends to its own outdoor area or access. For example, the bathroom has its own opaque terrace with an outdoor shower, which can be converted to an interior room with the use of broad folding doors. Weather permitting, the bathroom space can be doubled in this way.

The building is a massive brick construction with concrete walls and a reinforced concrete roof. This roof also serves as a thermal storage mass to provide a pleasant indoor climate and is covered with wood outside. This shades the planking and visually blends the terrace and roof into a unified whole.

Villa P.

Villa P by LOVE architecture and urbanism, Austria, 2010.

Architects: LOVE architecture and urbanism
Location: Waltendorf Graz, Austria
Design Team: Sigrid Derler, Sabine Sternbach
Area: 180.7 sqm
Year: 2010
Photographs: Jasmin Schuller

The site – a relatively steep hill – offers a stunning view over Graz. This panorama also provided the main guiding principle for the design. One additional goal was to provide direct access to the garden. Due to the very steep slope, this goal actually worked contrary to the aim of maximizing the panoramic view.

The upper level, which is oriented completely towards the fantastic view, contains all of the living space, while the lower level houses the doctor’s office and adjoining rooms. This layout provides a clear separation of living and working spaces, including separate entrances.

The upper level features two spacious terraces – one facing south and west, which provides an extension of the living room and the children’s rooms, and one facing north and east, which is an extension of the bedroom and bathroom and affords somewhat more privacy. A very broad external staircase with sitting steps connects the upper level and the garden, thereby joining the living space and the garden into an organic whole.

A pool is located in front of the building and connects to the carport. The pool and carport together provide a clear border between the property and the street, thereby increasing the privacy of the property.

Thus, a harmonious ensemble is created – a play of extrovert and introvert, of proximity and distance, which maximizes the strengths of the property, while simultaneously offering privacy.