Morris A. Mechanic Theatre.

Morris A. Mechanic Theatre.

The Morris A. Mechanic Theatre is a playhouse at 1 North Charles Street that is part of the Charles Center of Baltimore, Maryland. The theatre was built by and named for owner Morris A. Mechanic who operated a number of theatres in the city.

The Mechanic Theater consists of a square podium that houses retail space and an underground parking garage as part of the Charles Center. The fan-shaped auditorium that seats 1,614 sits on top of the podium and has a street-level entrance on Hopkins Plaza as well as a pedestrian bridge that connects to an elevated walkway leading to other buildings in Charles Center. Balconies are behind the orchestra seats and protrude beyond the exterior walls to give the building the appearance of a ratchet gear when viewed from above.

The exterior of the building is rough concrete that bears the markings from the wooden forms used to create the walls. The street entrance on Hopkins Plaza leads to a stairway that takes patrons to the lobby on the second floor. The exterior lobby wall is glass while interior walls have a faux wood finish or are covered with burnt-orange vinyl. The plaza-level entrance is framed by towers holding stairs and elevators to access the balcony. The stage house is clearly defined as a separate element attached to the auditorium.

In November 2009, the British newspaper Daily Mail reported that Virtual Tourist.com named the Mechanic Theatre as number one in its list of the Top Ten ugliest buildings.

Wuxi Grand Theatre

Wuxi Grand Theatre by PES-Architects
(Source: archinect.com)

Wuxi Grand Theatre is a one of the key cultural projects in Wuxi, China. Wuxi Grand Theater stands on the south bank of Taihu Lake and covers a total area of more than 70,000 square meters. The building is designed by Finnish architect Pekka Salminen.

The main idea of Wuxi Grand Theatre is based on its location. The manmade peninsula on the northern shore area of Taihu Lake and the highway bridge nearby make this location comparable to that of Sydney Opera House. Due to this location the building is an impressive landmark, rising up to a total height of 50 meters like a big sculpture from the terraced base. Its eight gigantic roof wings stretch far over the facades, giving the building a character of a butterfly, while protecting the building from the heat of the sun.

The architectural concept is unique: inside the steel wings are thousands of LED lights, which make it possible to change the colour of the wings according to the character of the performances. This is possible, because the underside of the wings is covered by perforated aluminium panels. Another special feature is the “forest” of 50 light columns, each 9 meter high, which start from the main entrance square, support the roof of the central lobby and continue outside of the lakeside entrance into the lake.

A strong Chinese feature that runs throughout the whole building is the large scale use of bamboo, both a traditional and a modern Chinese material. Recently new methods for the production and use of bamboo have made it possible to cover the Main Theatre Auditorium with over fifteen thousand solid bamboo blocks, all individually shaped according to acoustic needs and architectural image. The Main Auditorium counts 1680 seats split up in main stalls and two balconies. The horseshoe shape and compact volume combined with variable acoustics creates a flexible venue which can host traditional western style operas, Chinese operas, theatre performances, classical concerts, and even conferences. The main auditorium is combined with a smaller 700 seat auditorium which is designed as a multifunctional black box theatre with retractable seats and multiple options for seating layout.

(Source: wikipedia.org)